Happy and Sad

Isaac Hernández, Self-portrait, oil pastel on paper, 2010.

I’ve been drawing self-portraits for many years. It’s funny, because I don’t look at myself in the mirror very much, other than when I’m drawing a self-portrait. There are many days when I don’t look at myself in the mirror at all. After all, if you don’t shave or comb your hair, you don’t need a mirror. You can wash your face, floss and brush teeth without seeing you.

When I paint a self-portrait, the person in the mirror is a stranger. And since painting occurs very much as meditation for me, that person is often pensive. And those thoughts looks different every time. I’d like to capture silly emotions all the time, but do you know how difficult is to keep a big smile while looking at yourself in the mirror for hours? And with no make up! I invite you to try it.

Some people have given me a hard time for painting myself sad all the time. To them, I dedicate the self-portrait above. What can I say. I’m a happy guy. And I’m a sad guy. I treasure all emotions. I’m happy I’m sad. I couldn’t have painted myself happy without painting myself sad first, see below. Because if we were happy all the time, we would be bored from happiness.

Both portraits are still in progress. I guess everything is always in progress. When it’s over, you die. I’ve tweaked the one on the bottom several times, correcting different elements to make the forced perspective from down below work. Thanks to Libby Smith, who I had as a teacher, it’s easy for me to see what’s wrong in a face, mostly my face. Yes, I know, Libby, the ears need to move a bit lower still and the left eye (the eye on the left which also happens to be my left eye, since it’s a reflection) still needs more work. And the right could use some adjustments too. But I ran out of yellow. I painted until the oil pastel was the size of a grain of rice. I’ll get some more yellow, and I’ll continue working on it once I shave. I will come back to this blog and add the dimensions. Suffice to say that the sad golden portrait below is at least four times larger than the happy blue portrait above. What does it all mean?

Isaac Hernández, Self-portrait, oil pastel on paper, 2010.

Self-portrait in Yellow

Isaac Hernandez. Self-portrait (Untitled) 2011, gicleé print, 10″x10″. ©2012 Isaac Hernandez

I painted this large self-portrait, the largest so far, some time in the Spring of 2011, and continued onto the Summer. I was exploring with the idea of making a happy painting with a serious face.

Happy colors. Sad face. Kind of like the make-up I got as a kid at Circus World. The make-up artist asked me if I wanted to have happy clown or sad clown face.  When I answered sad, she was really worried and tried to convince me otherwise. Why did she even asked? I think I was the only sad clown in Circus World that day. My brother and sister were both happy clowns. Why did I pick sad? I guess I’ve always had certain curiosity for sadness. If it had happened today, I’d probably have the FBI investigating me. :) ; or shall I say :(

The picture above, taken in April, is not the final version. This yellow painting became the main attraction at my solo exhibit of 12 self-portraits, “I’m Not My Face”, which hanged at Roy’s during the month of June, receiving rave reviews. Soon we’ll be launching “I’m Not My Face: 40 Years of Self-Portraits”, the book.

Isaac Hernandez. Self-portrait (Untitled), (painting detail) 2011. ©2012 Isaac Hernandez

It’s big. There are two giant yellow Senelier oil pastel sticks layered onto the paper.

Isaac Hernandez. Self-portrait (Untitled) 2011, gicleé print, 10″x10″. ©2012 Isaac Hernandez

How I love to get my fingers dirty. The Senelier oil pastels are especially sticky, yum!